![]() The term derives from tenebroso, Italian for “shadowy.” Caravaggio naturalized both religion and the classics, reducing them to human dramas played out in the harsh and dingy settings of his time and place His style became increasingly popular & his combination of naturalism and drama led to his followers often being referred to as “Carravaggisti” Painting in the “shadowy manner”, using violent contrasts of light and dark, as in the work of Caravaggio, is called tenebrism. He was one of the first to paint people as ordinary looking. There are no moral lessons being drawn, just an implicit analogy between the beauty and transforming power of the gods and the painter’s mastery of illusion and aesthetic powerĬARRAVAGGIO Michelangelo Merisi ->called Caravaggio, went to Rome in 1592 Few artists in history have exercised as extraordinary an influence as this tempestuous and short-lived painter Caravaggio was destined to turn a large part of European art away from the ideal viewpoint of the Renaissance to the concept that simple reality was of primary importance. The arch of rose-pink drapery over her head is an attribute of Aura, Roman goddess of the air. Sistine Chapel Rich colors inspired by the VenetiansĬARRACCI The one-eyed giant Polyphemus, an unusually appealing Cyclops, plays his pan-pipes on the rocky shore, serenading the sea-nymph Galatea. 4’ x 7’ 6” Carracci and Caravaggio are among the two most notable Italian Baroque painters Based on the biblical narrative -> here the pastoral setting takes precedence over the narrative of Mary, Joseph, and the Christ Child wending their way slowly to Egypt Carracci’s landscapes idealized antiquity and the idyllic/pastoral lifeĬARRACCI – LOVES OF THE GODS ANNIBALE CARRACCI, Loves of the Gods, ceiling frescoes in the gallery, Palazzo Farnese, Rome, Italy, 1597–1601 Painted on the shallow curved curve of Palazzo Farnese gallery Arranged the mythological scenes in a format called QUADRO RIPORTATO = transferred frame paintings -> a simulation of framed easel paintings on a wall Flanking pictures are seated nude youths and standing Atlas figures painted to resemble marble statues -> cf. 657-665ĪNNIBALE CARRACCI ANNIBALE CARRACCI, Flight into Egypt, 1603–1604. ![]() ![]() ITALY AND SPAIN, 1600-1700 GARDNER CHAPTER 24-2 PP. Presentation on theme: "ITALY AND SPAIN, 1600-1700 GARDNER CHAPTER 24-2 PP. ![]()
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